http://www.iamaboyschoir.com i am a boys choir Sat, 07 Feb 2015 15:25:50 +0000 http://www.iamaboyschoir.com en http://www.iamaboyschoir.com/Un-Chant-D-Amour-1950 http://www.iamaboyschoir.com/following/iamaboyschoir.com/Un-Chant-D-Amour-1950 Sat, 07 Feb 2015 15:25:50 +0000 i am a boys choir 9336118 Un Chant D'Amour/1950 a live recreation of 1950 by Jean Genet. a live reenactment of 2015 by I AM A BOYS CHOIR. <img src="http://payload351.cargocollective.com/1/15/481064/9336118/unchant1_670.jpg" width="670" height="255" width_o="3151" height_o="1200" src_o="http://payload351.cargocollective.com/1/15/481064/9336118/unchant1_3151.jpg" data-mid="50350056" border="0" align="left" data-title="670 — 670 × 255"data-hi-res="http://payload351.cargocollective.com/1/15/481064/9336118/unchant1_1340_c.jpg" /><img src="http://payload351.cargocollective.com/1/15/481064/9336118/unchant2_670.jpg" width="670" height="255" width_o="3151" height_o="1200" src_o="http://payload351.cargocollective.com/1/15/481064/9336118/unchant2_3151.jpg" data-mid="50350055" border="0" align="left" data-title="670 — 670 × 255"data-hi-res="http://payload351.cargocollective.com/1/15/481064/9336118/unchant2_1340_c.jpg" /><img src="http://payload351.cargocollective.com/1/15/481064/9336118/unchant3_670.jpg" width="670" height="255" width_o="3151" height_o="1200" src_o="http://payload351.cargocollective.com/1/15/481064/9336118/unchant3_3151.jpg" data-mid="50350054" border="0" align="left" data-title="670 — 670 × 255"data-hi-res="http://payload351.cargocollective.com/1/15/481064/9336118/unchant3_1340_c.jpg" /> Un Chant D'Amour/1950 a live recreation of 1950 by Jean Genet. a live reenactment of 2015 by I AM A BOYS CHOIR. http://www.iamaboyschoir.com/re-member http://www.iamaboyschoir.com/following/iamaboyschoir.com/re-member Sat, 22 Nov 2014 11:05:16 +0000 i am a boys choir 8930176 http://www.iamaboyschoir.com/This-Is-A-Play-By-Jane-Austen http://www.iamaboyschoir.com/following/iamaboyschoir.com/This-Is-A-Play-By-Jane-Austen Fri, 29 Aug 2014 16:31:59 +0000 i am a boys choir 8474043 This Is A Play By Jane Austen Mount Tremper Arts Open Studio May 2015 <img src="http://payload308.cargocollective.com/1/15/481064/8474043/sure.jpg" width="670" height="228" width_o="2550" height_o="870" src_o="http://payload308.cargocollective.com/1/15/481064/8474043/sure_o.jpg" data-mid="47191058" border="0" align="left" data-title="670 — 670 × 228"data-hi-res="http://payload308.cargocollective.com/1/15/481064/8474043/sure_2x.jpg" /> Kate has read it all. Adam read some in High School. Chris has never read Jane Austen. He’s only seen the movies. I AM A BOYS CHOIR’s this is a play by jane austen is an adaptation of a version of a play inspired by our appropriation of all of Jane Austen’s novels, or, specifically, Jane Austen on film and Gwyneth Paltrow’s British accent. Letters. Long, whistful stares out a bedroom window. Dances. Balls. Secrets. Scandal. News from Kent shared between two women dressed in night gowns. Their mother (who is ridiculous) in an uproar over the advantageous marriage of a lesser woman. Demonstrations of accomplishments after supper. Layers upon layers of parlor/garden/lakeside strolling before dinner/tea time/pondside conversations. Moments of love, lust, longing interrupted by sighs of quiet desperation and church giggles. And a despicable “woman” is playing Justin Bieber’s “Baby” on the piano forte. This Is A Play By Jane Austen Mount Tremper Arts Open Studio May 2015 Kate has read it all. Adam read some in High School. Chris has never read Jane Austen. ... http://www.iamaboyschoir.com/or-how-i-became-an-ice-princess http://www.iamaboyschoir.com/following/iamaboyschoir.com/or-how-i-became-an-ice-princess Tue, 06 May 2014 00:32:04 +0000 i am a boys choir 7844227 or how i became an ice princess JACK NY November 2015 Dixon Place March 2015 REDCAT November 2014 Created and Performed by Kate D'Arcus Attwell, Adam Rigg, and Chris DeVita Sets and Costumes by Adam Rigg Lights by Masha Tsimring Sound by Chad Raines Video by Nicholas Hussong In or how i became an ice princess the three protagonists //adam, chris, and kate// are a trio of ice princesses in training locked in an olympic sized ice castle. Reviewing slides of champions and reenacting newsreels of runner ups, they seek answers: what makes the perfect figure skater, exactly? can you see it? and why me? why? or how i became an ice princess is a theatrical interdisciplinary work somewhere between a gender studies lecture and an ice skating competition. I AM A BOYS CHOIR delves into the body myth of the female athlete, the writings of philosopher and gender theorist Judith Butler, and the process of earning institutional validation by conforming to specific identity markers in regards to race, class, and gender. Also mini trampolines, blood feuds, sequins, and a lot of Tonya Harding. OKSANA BAIUL!!!!! <img src="http://payload277.cargocollective.com/1/15/481064/7844227/03-19-15-I-AM-A-BOYS-CHOIR---Steven-A-Gunther_670.JPG" width="670" height="527" width_o="2337" height_o="1840" src_o="http://payload277.cargocollective.com/1/15/481064/7844227/03-19-15-I-AM-A-BOYS-CHOIR---Steven-A-Gunther_2337.JPG" data-mid="48725780" border="0" align="left" data-title="670 — 670 × 527"data-hi-res="http://payload277.cargocollective.com/1/15/481064/7844227/03-19-15-I-AM-A-BOYS-CHOIR---Steven-A-Gunther_1340_c.JPG" /> or how i became an ice princess JACK NY November 2015 Dixon Place March 2015 REDCAT November 2014 Created and Performed by Kate D'Arcus Attwell, Adam Rigg, and... http://www.iamaboyschoir.com/wytc-ytc-yt http://www.iamaboyschoir.com/following/iamaboyschoir.com/wytc-ytc-yt Sat, 05 Apr 2014 18:57:24 +0000 i am a boys choir 7661976 when you're through changing/ you're through changing/ you're through Movement Research February 2015 <img src="http://payload268.cargocollective.com/1/15/481064/7661976/images-1.jpg" width="241" height="209" width_o="241" height_o="209" src_o="http://payload268.cargocollective.com/1/15/481064/7661976/images-1_o.jpg" data-mid="41256456" border="0" align="left" data-title="670 (241) — 241 × 209"/> when you're through changing/you're through changing/you're through is an ongoing project comprised of long form installations, durational performances, and video works. wytc/ytc/yt explores how in a product-driven world goals are universal and fixed: Be successful. Find a partner. Earn money. Buy/have/make things that are functional/ reasonable/aesthetically-pleasing. The only question remaining is “how do I get there?” Wikihow can help (and Martha Stewart can make sure your living room looks perfect once you’re there.) All of this is necessary in a time when residing in a space of not-knowing undermines the efficiency required to reach our goals in the timeliest of manners. But as we scrutinize the reality of our streamlined, quick fix lives, we emerge on the other side - discovering that taking time and talking it through might be the best solution after all. when you're through changing/ you're through changing/ you're through Movement Research February 2015 when you're through changing/you're through... http://www.iamaboyschoir.com/So-Long-Willy-Let-s-Go-Home http://www.iamaboyschoir.com/following/iamaboyschoir.com/So-Long-Willy-Let-s-Go-Home Mon, 03 Feb 2014 13:15:56 +0000 i am a boys choir 7241907 So Long, Willy (Let's Go Home) LA MAMA NYC, August 2014 "strangely tender" -NEW YORK TIMES Created and Performed by Chris DeVita, Kate D'Arcus Attwell, and Adam Rigg Sets by Adam Rigg Costumes by Enver Chakartash Lights by Masha Tsimring Sound by Chad Raines Video by Nicholas Hussong Dramaturgy by Emily Reilly and Megan Wright “Adam found a porn video in which two blow-up orca whales have sex..." So Long, Willy (Let’s Go Home) delves into the experience of discovering one’s own otherness alone and at a young age. This work opens up an unexpectedly familiar world of sterilized love, physical difference and material sameness aided by 90’s animated classics and animal adventure romps (including that movie where Michael Jackson frees a whale with the power of music). I AM A BOYS CHOIR remembers growing up and feeling like the only one, while glimpsing into a future in which intimacy is increasingly evasive. <img src="http://payload247.cargocollective.com/1/15/481064/7241907/5-1-of-1.jpg" width="670" height="405" width_o="4096" height_o="2476" src_o="http://payload247.cargocollective.com/1/15/481064/7241907/5-1-of-1_o.jpg" data-mid="45683041" border="0" align="left" data-title="670 — 670 × 405"data-hi-res="http://payload247.cargocollective.com/1/15/481064/7241907/5-1-of-1_2x.jpg" /><img src="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5188_w_o.jpg" width="670" height="397" width_o="800" height_o="475" src_o="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5188_w_o_o.jpg" data-mid="46764786" border="0" align="left" data-title="670 — 670 × 397"data-hi-res="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5188_w_o_o.jpg" /><img src="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5203_w_o.jpg" width="670" height="334" width_o="800" height_o="399" src_o="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5203_w_o_o.jpg" data-mid="46764789" border="0" align="left" data-title="670 — 670 × 334"data-hi-res="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5203_w_o_o.jpg" /><img src="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5269_w_o.jpg" width="670" height="404" width_o="800" height_o="483" src_o="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5269_w_o_o.jpg" data-mid="46764795" border="0" align="left" data-title="670 — 670 × 404"data-hi-res="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5269_w_o_o.jpg" /><img src="http://payload247.cargocollective.com/1/15/481064/7241907/7-1-of-1.jpg" width="670" height="441" width_o="4096" height_o="2698" src_o="http://payload247.cargocollective.com/1/15/481064/7241907/7-1-of-1_o.jpg" data-mid="45683226" border="0" align="left" data-title="670 — 670 × 441"data-hi-res="http://payload247.cargocollective.com/1/15/481064/7241907/7-1-of-1_2x.jpg" /><img src="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5368_w_o.jpg" width="670" height="481" width_o="800" height_o="575" src_o="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5368_w_o_o.jpg" data-mid="46764806" border="0" align="left" data-title="670 — 670 × 481"data-hi-res="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5368_w_o_o.jpg" /><img src="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5175_w_o.jpg" width="670" height="293" width_o="800" height_o="351" src_o="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5175_w_o_o.jpg" data-mid="46764811" border="0" align="left" data-title="670 — 670 × 293"data-hi-res="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5175_w_o_o.jpg" /><img src="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5164_w_o.jpg" width="670" height="392" width_o="800" height_o="469" src_o="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5164_w_o_o.jpg" data-mid="46764803" border="0" align="left" data-title="670 — 670 × 392"data-hi-res="http://payload247.cargocollective.com/1/15/481064/7241907/_LTS5164_w_o_o.jpg" /> So Long, Willy (Let's Go Home) LA MAMA NYC, August 2014 "strangely tender" -NEW YORK TIMES Created and Performed by Chris DeVita, Kate D'Arcus Attwell, and...